By Merih Erol
During the overdue Ottoman interval (1856–1922), a time of contestation approximately imperial coverage towards minority teams, tune helped the Ottoman Greeks in Istanbul outline themselves as a different cultural workforce. part of the biggest non-Muslim minority inside a multi-ethnic and multi-religious empire, the Greek Orthodox knowledgeable elite engaged in heated discussions approximately their cultural id, Byzantine historical past, and clients for the long run, on the middle of which have been debates concerning the position of conventional liturgical tune in a group that was once confronting modernity and westernization. Merih Erol attracts on archival facts from ecclesiastical and lay assets facing understandings of Byzantine track and heritage, sorts of non secular chanting, the existence tales of person cantors, and different well known and scholarly resources of the interval. Audio examples keyed to the textual content can be found online.
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Extra info for Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform (Ethnomusicology Multimedia)
Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform (Ethnomusicology Multimedia) by Merih Erol
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