Comedy and the Woman Writer: Woolf, Spark, and Feminism by Judy Little PDF

By Judy Little

Recent critics have affirmed the difficulty—perhaps the impossibility—of defining glossy comedy; even as, a few feminist students are searching for to appreciate the unique comedy frequently found in literature written by means of ladies. Comedy and the girl Writer responds to either those matters of modern feedback: feminist literary idea and theories of comedy. Judy Little develops a severe equipment for opting for feminist comedy in contemporary fiction, particularly the novel political and mental implications of this comedy, after which applies and checks her conception via analyzing the novels of Virginia Woolf and Muriel Spark. regardless of fresh scholarly cognizance to Woolf, the profound comedy of her paintings has been mostly missed, and the comedian fiction of Spark has seldom had the in charge and attentive feedback that it merits.

The introductory bankruptcy attracts upon anthropology and sociology, in addition to literary feedback and the fiction of feminist writers comparable to Woolf, Doris Lessing, and Monique Wittig, to outline a contemporary feminist comedy. 4 crucial chapters then discover the consequences of this comedy within the novels of Woolf and Spark. Little distinguishes among, at the one hand, numerous forms of conventional comedy and satire and, at the different, the festive or “liminal” comedy to which feminist comedy belongs. either Woolf and Spark mock centuries-old mythic styles and behaviors deriving from easy social norms, in addition to the values rising from those norms. it really is something, the writer issues out, to discover “manners” a laugh, to scourge vices, or to mock the follies of fanatics; it's a even more drastic act of the mind's eye to mock the very norms opposed to which comedy has typically judged vices, follies, and eccentricities. whereas the comedy of Woolf and Spark has a few precedent in festive or liminal celebrations, in which even easy values and behaviour are deserted, feminist comedy monitors its radical nature through implying that there's no answer to the inverted overturned global, the area in innovative transition.

The ultimate bankruptcy considers in brief, within the mild of the serious version of feminist comedy, the paintings of numerous different twentieth-century writers, together with Jean Rhys, Penelope Moritmer, and Margaret Drabble. The presence of radical comedy within the fiction of those and different writers indicates the necessity for carrying on with consciousness to the idea of feminist comedy proposed during this study.

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